Gerard Manley Hopkins is one of the most distinctive voices in English poetry. The alliteration, assonance and powerful rhythm in his poems are striking. Hopkins had a keen sense of beauty, a love of nature and a deep Christian faith, but he was also tortured by doubt and depression. His poems are tender and ecstatic; they are filled with wonder, with fear, with surprise, with despair and with hope.
Bridging Romanticism and Modernism, Hopkins is one of the most original poets of the 19th Century. He developed his own prosody called “sprung rhythm”, a form of accentual verse that he felt was closer to the rhythm of the way people actually speak. At the same time, he pushed the limits of language:
“I caught this morning morning’s minion, king- dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding Of the rolling level underneath him steady air, and striding High there, how he rung upon the rein of a wimpling wing In his ecstasy!”
from The Windhover
Please join us as we read and discuss together some of Hopkins’ most celebrated poems:
God’s Grandeur
Spring
Pied Beauty
Carrion Comfort
Hurrahing in Harvest
The Windhover
The Starlight Night
and two of his dark sonnets:
I wake and feel the fell of dark, not day
My own heart let me more have pity on
JOINING DETAILS:
Four-meeting study live on Zoom led by Sean Forester
The recommended edition of the poems is Gerard Manley Hopkins: Poems and Prose, Selected with an Introduction and Notes by W.H. Gardner, Penguin Books,2008, ISBN-13: 978-0-140-42015-9. Sean will also send out links to the individual poems we will study.