“But what is more to the point is my belief that the habit of writing thus for my own eye only is good practice. It loosens the ligaments. Never mind the misses and the stumbles. Going at such a pace as I do I must make the most direct and instant shots at my object, and thus have to lay hands on words, choose them and shoot them with no more pause than is needed to put my pen in the ink.”

Virginia Woolf, A Writer’s Diary

An invitation to writers of all levels (beginners are as welcome as the more experienced) — to loosen the ligaments, put perfection aside, and write for the quiet joy of discovery; to share a space where words unfold boldly, imperfectly, and in response to curiosity.

Rooted in the ethos of the London Literary Salon — where close reading and conversation open pathways to deeper understanding — this writing series, facilitated by Alison Cable, extends the same spirit of inquiry into creative practice. An invitation to explore writing as a way of thinking, feeling, and knowing.

Each block of three months offers a gentle rhythm of practice: a facilitated Anchor Session followed later in the month by a companion Open Writing Session, where you can return to your work, deepen the ideas sparked in the workshop, and write alongside others in quiet company.

How it works

• Anchor Session (first Tuesday of each month, 5.00-7.00 pm, UK time):
  A guided workshop exploring a theme, text, or prompt through discussion, short exercises and optional sharing. These sessions provide inspiration and direction for your writing practice.
• Open Writing Session (third Tuesday of each month, 5:00–6:30 pm, UK time):
  A lightly held, communal writing space in which you can develop your ideas, try new forms, or simply write in the company of others. Optional check-in and sharing at the end.
• Block Pass: £105 for three months (includes three Anchor Sessions and three companion Open Writing Sessions). This block encourages continuity and engagement, with sessions scheduled monthly to help you build a routine.
• Single Sessions: please enquire.

Block 1: January – March 2026

1. Anchor: 6 January | 3 February | 3 March
2. Open: 20 January | 17 February | 17 March

Block 2: April – June 2026

• Anchor: 7 April | 5 May | 2 June
• Open: 28 April | 19 May | 23 June

Block 3: July – September 2026

• Anchor: 7 July | 4 August | 1 September
• Open: 21 July | 18 August | 15 September

Block 4: October – December 2026

• Open: 20 October | 17 November | 22 December
• Anchor: 6 October | 3 November | 1 December

The London Literary Salon offers you the opportunity to join a five-day study based in Edale, in the Peak District National Park in July 2027, where we will explore Charlotte Brontë’s Jane Eyre — an invitation to read, walk and reflect in immersive engagement with Brontë’s novel and the landscape that inspired it.

How might we read Jane Eyre today — as a story of selfhood and rebellion, but also as a text shaped by gender, empire, class and desire? This immersive study combines literary discussion and walking on the moorland paths that inspired Brontë’s novel, with opportunities for morning stretches and reflective writing. A short train trip to Hathersage, the village closely linked to the novel, will offer further insight into the places that inspired Brontë’s writing. Participants may choose to walk the circular 8 km Jane Eyre Hathersage Trail, tracing the village, architecture and landscape that shaped Brontë’s imagination.

Toby Brothers will lead the literary discussions, guiding the group through the rich text with reflections that include psychological, feminist, postcolonial and queer readings of Jane Eyre. Alison Cable will co-facilitate and offer walking and creative writing space, encouraging reflection, response and imaginative engagement with both text and landscape. Together, we will explore the familiar and the overlooked: Jane’s struggles for autonomy, the silences within the text, and the ways literature continues to resonate with questions of freedom, identity and justice in our own lives, here and now.

According to the poet, essayist and feminist Adrienne Rich:

‘The concern of the tale is not with social mores, the social mores may occur among the risks and challenges encountered by the protagonist. Neither is it an anatomy of the psyche, the faded chemistry of cosmic forces. It takes its place between the two: between the realm of the given, that which is changeable by human activity, and the realm of the fated, that which lies outside human control: between realism and poetry.

‘The world of the tale is above all a “vale of soul making”, and when a novelist finds herself writing a tale it is likely to be because she is moved by that vibration of experience which underlies the social and political, though it constantly feeds into both of these. In her essay on Jane Eyre, critic Q.D.  Leavis perceives the novel’s theme as “. . . an exploration of how a woman comes to maturity in the world of the writer’s youth”. I would suggest that a novel about how a man “comes to maturity in the world of the writers youth” would not be dismissed as lacking in range or in Woolf’s words, “a sense of human problems”. I would suggest further that Charlotte Bronte is writing not a bildungsroman but the life story of a woman who is incapable of saying “I am Heathcliff” because she feels so unalterably herself. Jane Eyre, motherless and economically powerless, undergoes certain traditional female temptations, and finds that each temptation presents itself along with an alternative –the image of a nurturing or principled or spirited woman on whom she can model herself, or to whom she can look for support.‘

Adrienne Rich, Jane Eyre: The Temptations of a Motherless Woman (published in the Norton Critical Edition of Jane Eyre)

While Virginia Woolf wrote that the Brontës:

‘. . . seized those aspects of the earth which were most akin to what they themselves felt or imputed to their characters, and so their storms, their moors, their lovely spaces of summer weather are not ornaments applied to decorate a dull page or display the writer’s powers of observation – they carry on the emotion and light up the meaning of the book.’

Virginia Woolf, The Common Reader (1916)

We will be based in Edale, with accommodation confirmed at The Gathering, a combination of glamping ‘lodges’ and barns, with options for shared or single rooms. Walking across the hills and moors will offer space for thought and inspiration, but all activities are optional: indoors, we will read, write and talk together, fostering immersive engagement with text and the landscape. To round out the evenings, participants may choose to join the local pub quiz, or just take in the lively sense of the village community and place.

SAMPLE SESSIONS INCLUDE:

• Morning and afternoon literary discussions with Toby Brothers and Alison Cable: close reading of key passages, exploring Jane’s journey, moral choices and the novel’s social and political contexts. Short walks with Alison Cable: gentle, reflective walking, with opportunities to use the landscape as inspiration for written response.
• Jane Eyre Hathersage Walk: short train trip to Hathersage, to visit the village that inspired Brontë, with an optional walk to Stanage Edge, passing ‘Vale Hall,’ ‘Thornfield’ and ‘Moor House’, and the added bonus of Robin Hood’s cave and the gravesite of Little John. PLEASE NOTE: The trail is rated ‘moderate’, with one steep climb and descent; there is a shorter option to walk to North Leas Hall (the inspiration for Thornfield) and back.
• Evening reflection sessions: sharing insights, discussing emergent themes, and optional participation in pub quiz (Friday).

JOINING DETAILS:

• Five-day study in Edale, Derbyshire led by Toby Brothers and Alison Cable
• 29 July – 2 August 2027
• £600 for the study and background notes, plus £175 for three days half board (breakfast and lunch on Friday, Saturday and Sunday, breakfast on Monday) plus £100 initial deposit on accommodation at The Gathering, total cost £875.
• Additional costs: participants are responsible for arranging and paying for their own travel, accommodation and additional meals and insurance. We have reserved a variety of rooms at The Gathering (an initial £100 deposit is included in the registration fee) and will liaise with the venue – participants are asked to advise us of their preferences on booking the study. Although we will endeavour to meet your requirements, we will allocate the reserved accommodation on a first-come-first-served basis, please consider sharing accommodation with another participant as this helps us to ensure everyone can stay on site .
• We strongly recommend reading or re-reading Jane Eyre in preparation for the weekend so the language, ideas and vision of the text are fresh.
• Recommended edition: Norton Critical Fourth Edition (published in 2016, this is preferable to the third edition) ISBN: 978-0-393-64050-2.
• An initial non-refundable deposit of £150 secures your place on the study and a reservation on accommodation at The Gathering. The balance of £725 (which will cover the cost of the study, breakfasts and lunches) will be payable by 1 May 2027.
• Any refunds will be at the discretion of the London Literary Salon, dependent on our ability to fill the place, and will be subject to an administration charge.