The search for Utopia

Photo by Matt Palmer on Unsplash

In troubled times we all hope for better things. The current state of the world and its problems – global warming, pandemics, political extremism, economic crises to name just a few – lead many of us to speculate with dread about a dystopian future.

So, could there be a better time to reflect on the concept of Utopia, the perfect and ideal state?  Seductive but unobtainable, what did Thomas More, the originator of Utopia (literally ‘no place’) really mean when he wrote his most famous work, published in 1516? How much have things changed over the centuries? How much can they change when the fundamentals of human nature and motivation remain the same?

Vivien Kogut’s four-week exploration of Thomas More’s Utopia will discuss society, power and freedom. Subjects of relevance in the sixteenth century remain just as topical in today’s world: social inequality, individual freedom, the motivation of politicians, how to limit power.

Ultimately the study will consider whether a more egalitarian society is viable, what would an ideal world look like and where we are today.

Vivien Kogut’s Thomas More’s Utopia (part of a series on The Renaissance through texts and objects) begins on 18 October 2022.

Can Renaissance literature speak to us today?

The literature of the past sometimes appears to have a language of its own, perhaps too intricate and opaque for us in the twenty-first century. Can it speak to me? Is it relevant? Could reading Renaissance texts be simply self-indulgent, nothing more than an escape from the miseries of our contemporary world?

These are some of the questions that confront us when embarking on a study like Exploring the English Renaissance through Texts and Objects, 1516-1616.

But reading poems by Wyatt or Donne, visiting the fictional island of Utopia, witnessing pirate actions on the shores of Brazil or touring a mysterious castle in The Faerie Queene, we immediately realize we have walked into a world that is strangely familiar, yet disturbingly new. And it’s not just the words on the page – our journey to the Renaissance involves digging up booty: everyday objects, museum items, prints, paintings. The world of objects surviving from the past, be they mundane or works of art, tells us even more about our common glories and miseries and how life was lived by people like us in another time.

Exploring the English Renaissance can make us tourists: we get the chance to visit the exotic from the comfort of the printed page or images on a screen. What we discover is a period of intense experimentation, exploration and feverish creativity, but also of disease, violence and abuse of power. It can be unsettling and inspiring in equal measure. We return from this trip with at least one souvenir: the feeling that words and objects create disturbing synergies across time, offering opportunities to find ourselves where we least expect. They tell the story of who we were, who we are and where we might be heading.

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