What do we mean by ‘Writing for Wellbeing’?

Photo by Marija Zaric on Unsplash

Everything we do at the London Literary Salon is in some way about the power of words. Often this means reading and sharing responses to literature with others, but we are also committed to the idea of providing opportunities for people to use writing as a means of promoting their own mental wellbeing and resilience.

Our ‘Reading and Writing for Wellbeing’ workshops led by Alison Cable help participants to write, with the primary aim of encouraging self-development. Some people regard it as a kind of literary yoga!

The focus is always on process rather than product. People may be invited to share their work with others in the group – and many choose to do so – but this is entirely voluntary. Sessions often begin with a short free-writing warm-up which Alison describes as “a continuous blurt” with no worries about grammar, spelling, content, form or audience. She explains “Start with your grocery list, or a doodle, if that’s where you are. Anything at all. No one will read it unless you want them to.”

For many of the writing exercises Alison uses prompts from poetry and prose by well-known writers which members of the group read together. For example, the theme of ‘place’ inspired by Virginia Woolf’s eerie and puzzling story The Haunted House in which a ghostly couple search for their ‘hidden joy’. Writers are free to use fantasy, reality, metaphor – anything that works – with no pressure to label or focus on personal experience.

These workshops provide a safe and supportive environment in which to cultivate self-exploration and expression. The groups are guided by principles embodied in the acronym CARE – confidentiality, attention, respect and empathy. Participants are welcome to share their writing and reflections without judgement or criticism, Alison stresses that “whatever you write is right!”

Some feedback from past participants:

“Alison Cable creates such a safe, fun, non-judgmental space that even I can’t turn it into a struggle . . . In this space both reading and writing are joyful.”

“A great experience. Alison strips away the pressure and self-criticism often associated with writing and enables participants to write first and foremost for themselves.”

Writing for Wellbeing workshops currently booking:

Experience Poetry 2 (starts 5 October)

Urban Places and Wild Spaces (starts 1 November)

Experience Poetry 3 (starts 2 November)

On Reading and Writing Together


I never saw a moor,
I never saw the sea,
Yet I know how the heather looks
And what a wave must be.

Emily Dickinson

We’re all writers. Take a moment and think about the writing you do each day — a caption for your Instagram photo, a text to a friend, a work e-mail. See, you’re already writing to tell stories, build relationships, and plan your future.

Expressive writing helps you channel what you already know how to do. You have permission to discard the rules, play with words, and discover new and powerful insights through its imaginative process. And it’s good for you, like yoga for your mind. In fact, a robust body of peer-reviewed research proves it (benefits like enhancing mood and improving physical health, setting life goals, reducing PTSD symptoms, easing stress, and sparking creativity). 

And what better way to spark our writing than reading poetry out loud together?  First we hear it – its tempo, rhythm and cadences; then we see it – its images in the mind’s eye; finally we sense its possible meanings – metaphors full of delicious ambiguity. We don’t need to come to any conclusions as long as something stirs within us.

Whatever we discover through our reading and writing, sharing it with others is to engage, to connect, to be heard, and to hear.  We loiter in the gaps as well.  There’s no perfect communication, but as we linger in each other’s metaphors, in the meaning we make between the words, we share connection. This sharing makes us feel better. We know we are not alone.

Alison Cable is a facilitator at the London Literary Salon, she is currently leading a series of Writing for Wellbeing studies, including Trees and Us beginning on 26 April.

Dramatic writing workshop: what and why?

Many Salon participants enjoy writing as well as reading. In response, we have been developing a programme of creative writing studies, most recently with Alison Cable’s Writing for Wellbeing series. The primary aim is not necessarily to prepare for publication, but to develop and enjoy a writing practice as part of self-development.

Now we are offering an opportunity to experiment with dramatic writing which, with its emphasis on structure, character and dialogue, is a way of telling stories that can feed into all kinds of literary creativity and appreciation.

Award-winning writer Jeremy Kamps, Professor of Dramatic Writing at New York University and a Guest Professor for the Pratt Institute writing department, explains the design of his eight-week study:

Our workshop will focus on the craft, process and art of dramatic story. You will write either a film short or a ten minute play (your choice), and our time together will include craft study, story de-construction, rumination on process and voice. Or, in other words, how your story meets and moves the world.

We will engage in peer review using the writer-centred Liz Lerman feedback protocol and there will be an emphasis on the idea that “writing is rewriting” (with its attendant joy and pain). The workshop is not about good or bad, but about how you tell the story you want to tell and why it needs to be told, while also providing some tools and ideas to consider along the way. Professional actors will join us for the culminating reading of our work. 

Click here for more information and booking details.

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