It has often been said that Plato’s Symposium is the greatest prose work to survive from the Ancient Greek world. It portrays a group of intellectual men at a dinner party talking about sexual desire and the mysteries of love. Almost all of the men clearly have experience of same-sex relationships and are candid about what this means to them. As a result, the text has sometimes been thought of as a dangerous work, because, to use E M Forster’s ironic phrase, it is frank about the ‘unspeakable vice of the Greeks’. Nowadays, it is easier for us to appreciate the subtlety of Plato’s analysis of gender roles.

A major aspect of Plato’s perspective relates to his view of love as a kind of mystical force which is connected to our sense of beauty and plays an important role in moral education.  This vision was very attractive to the Renaissance humanists, and has influenced Christian apologists over the thousands of years in which the book has been read.

For readers who are not particularly interested in philosophy, the text has appeal because Plato, unlike most philosophers, was a gifted writer. He offers us a variety of characters,  all doing their best to account for the role of love in our lives. The modern world can boast many self-appointed experts here – including artists, philosophers, doctors, the therapeutic community, gurus, agony aunts and charismatic influencers to name but a few – and Plato presents us with a very similar kind of range, skilfully satirising them all. He finally presents a startling conclusion, when the person who is portrayed as having the deepest understanding turns out to be a woman . . .

There’s a great deal  to ponder here, much of it very Greek (whatever that means), but much also that speaks to us with stunning directness across the millennia, and which may even lead you to question what philosophy is.

One final point: the text is riddled with irony, which is not always easy to spot if you are reading silently to yourself. There is much to be gained from reading The Symposium together as a group.

JOINING DETAILS:

• Four-week study led by Keith Fosbrook
• Thursdays, 5.00-7.00 pm, 21 & 28 November, 5 & 12 December
• Please note that it is important we all use the same translation: The Symposium by Plato, Penguin Classics, translated by Christopher Gill, Penguin Classics, ISBN: 9780140449273
• £120 for four meetings, to include introductory notes and resources

In 2025 we will return for our fifth visit to the enchanting island of Agistri on the Saronic Gulf. This year we will study Homer’s Odyssey and Euripides’ Trojan Women in a location that evokes the landscape and environment in which these extraordinary and enduring works were written. Join us if you can!

“Tell me about a complicated man.
Muse, tell me how he wandered and was lost
when he had wrecked the holy town of Troy.
and where he went, and who he met, the pain
he suffered on the storms at sea, and how
he worked to save his life and bring his men
back home.”

The opening lines of Emily Wilson’s translation of Homer’s Odyssey

In 2019 the London Literary Salon travelled to Agistri to read The Odyssey and in 2024 we completed the Homeric cycle by reading The Iliad on the island, using Emily Wilson’s powerful contemporary translations for both studies. In 2025 we will return to Agistri to revisit The Odyssey in all its vivid and gripping glory.

Our Odyssey study will use Homer’s epic poem to consider closely the guest-host relationship, the defining struggle of humans against overwhelming nature, the struggle to know ourselves in foreign spaces, our understanding of the heroic and the role of myth and epic in lived experience.

Actor Jane Wymark and poet Caroline Hammond will join Salon Director Toby Brothers in leading this week-long study, sharing their insights into the spoken word, metre and translation and how to read out loud to greater effect. In an era where the epic poem is in eclipse (the novel and film having taken over as the preferred vehicles for  complex narratives) we will explore aspects of the Odyssey as a work in the oral tradition.

Our chosen venue is a small family-run hotel that is easily accessible (just one hour by ferry from Athens) on the beautiful and quiet island of Agistri. It provides the perfect setting for our study, offering a relaxing atmosphere, excellent food and opportunities for additional cultural and recreational activities.

STUDY DETAILS:

• Seven-day study of Homer’s Odyssey on the island of Agistri: 28 April – 5 May 2025.
• Facilitated by Toby Brothers, Jane Wymark and Caroline Hammond.
• Cost: £700 for the Salon study, to include preparatory meeting in April (via Zoom, date to be confirmed), background materials and opening notes. Opening notes will be sent after registration.
• The study programme will run for four to five hours per day for five days, with one day left open and travel at each end. There will be time for other optional activities including kayaking adventures, a trip to the Temple of Aphaia on Aegina, or pure relaxation.
• Before you arrive on Agistri we will ask you to read Emily Wilson’s translation of The Odyssey (WW Norton & Co, ISBN-10: 0393356256; ISBN-13: 978-0393356250). Ian McKellen’s audio reading of Robert Fagles’ translation is also a great way to experience The Odyssey.
• Payment: we understand that you may not want to pay the entire charge at once, so we ask for an initial (non-returnable) deposit of £20 on registration followed by £180 within 28 days and the balance of £500 by 31 January 2025.
• Refunds: please note that any refunds will be entirely at the discretion of the London Literary Salon, dependent on our ability to fill the place, and will be subject to a charge to cover our administration costs.

BOOKING

To ask questions please email us at litsalon@gmail.com using ‘Agistri 2025 – Odyssey’ as the subject line. Payment will be by bank transfer (N.B. we will supply bank details). If the study sells out early we will maintain a waiting list as we do sometimes find that people have to withdraw for reasons beyond their control.

ADDITIONAL COSTS

Room and half board (breakfast and dinner each day) will be arranged by each participant with the hotel and paid for directly to them. A deposit to cover two nights accommodation will be required by the hotel. We will send you full contact details for payment on registration. We have set out the anticipated charges below, but these may be subject to change at the time of booking at the discretion of the hotel.

Accommodation prices per night at the hotel – Rosy’s Little Village – estimated on the basis of figures available in October 2024:

• Single – €77 per night plus half board (breakfast and dinner) estimated at €55 per day
• Double – €87 per night plus half board (breakfast and dinner) estimated at €55 per person per day
• Triple – €77 per night plus half board (breakfast and dinner) estimated at €55 per person per day
• Family room for two people – €97 per night plus half board (breakfast and dinner) estimated at €55 per person per day
• Family room for three people – €107 per night plus half board (breakfast and dinner) estimated at €55 per person per day

Please consider sharing accommodation with another participant as this helps us to ensure everyone can stay on site; double and triple rooms offer split levels and so allow sharers a significant degree of privacy.

Flights to Athens: when booking please make sure you can arrive in Piraeus by 15.00 local time on the first day of your study to catch the ferry. We will not be meeting formally on the final day of each study, so you have choices about your return (ferries are frequent and the travel time to Piraeus is one hour).

Ferry to Agistri: normally around €14 each way, but may be €30 for arrival if the group chooses to use a private water taxi.

Incidental expenses: drinks, lunches, extra trips etc.

Insurance: we hope this will be entirely redundant, but we do ask you to arrange your own travel and health insurance to protect you in case of anything untoward happening. We will ask you for details of the insurance provider and reference number, as well as your mobile phone number and details of next of kin to add to our (confidential) records for use during the study.

In 2025 we will return for our fifth visit to the enchanting island of Agistri on the Saronic Gulf. This year we will study Homer’s Odyssey and Euripides’ Trojan Women in a location that evokes the landscape and environment in which these extraordinary and enduring works were written. Join us if you can!

“The strong do what they can, the weak suffer what they must.”

 Thucydides’ Melian Dialogue

When, in 458 BC, The Oresteia of Aeschylus – a trilogy in which the climax of the third play, The Eumenides, upheld the Athenian traditions of liberality and the rule of law – triumphed at the Dionysia, it must have been exhilarating for the audience to witness the exaltation of their own city. Much had changed just forty-three years later when Euripides’ Trojan Women was performed and won the second prize in the contest.

For the last ten of those years Athens had waged the hugely destructive Peloponnesian War against Sparta and several Greek cities had suffered a fate not unlike that of Troy. Although a truce with Sparta was just about holding, the Athenians were still trying to expand their martial capability through colonisation. In the summer of 416 BC, less than a year before Euripides’ play appeared, Athens laid siege to the small but wealthy island of Melos in the South Aegean (which had already donated much to the war effort but drew the line at being occupied and exploited) and, once the Melians were defeated, massacred its male population and enslaved the women and children.

The audience at the theatre of Dionysus in Athens would have included veterans of the Melian campaign, and it speaks for the Greek respect for theatre and artistic freedom that performance of the play was permitted at all. That openness is not always matched by our own society today: In 1980 A Short Sharp Shock! a play by Howard Brenton and Tony Howard satirising British politics of the time led to outrage, questions in the House of Commons and an attempt to close down the Royal Court Theatre. Four years after the UK’s 1982 Falklands War, a verse play by Steven Berkoff, Sink the Belgrano!, caused a similarly huge controversy. 

During our 2023 visit to Agistri we considered the theatrical representation of the Trojan War and its aftermath in The Oresteia. In 2025 we will embark on the study of Trojan Women with Salon Director Toby Brothers, actor Jane Wymark and poet Caroline Donnelly bringing their considerable talents and energy to exploring the dramatic possibilities of the text and the poetry contained within this phenomenal work.

Our chosen venue is a small family-run hotel that is easily accessible (just one hour by ferry from Athens) on the beautiful and quiet island of Agistri. It provides the perfect setting for our study, offering a relaxing atmosphere, excellent food and opportunities for additional cultural and recreational activities.

STUDY DETAILS:

• Seven-day study of Euripides’ Trojan Women on the island of Agistri: 7 – 14 May 2025.
• Facilitated by Toby Brothers, Jane Wymark and Caroline Hammond.
• Cost: £700 for the Salon study, to include preparatory meeting in April (via Zoom, date to be confirmed), background materials and opening notes. Opening notes will be sent after registration.
• The study programme will run for four to five hours per day for five days, with one day left open and travel at each end. There will be time for other optional activities including kayaking adventures, a trip to the Temple of Aphaia on Aegina, or pure relaxation.
• We will ask you to read the recommended translation of Trojan Women by Emily Wilson contained in this volume: Greek Plays: Sixteen Plays by Aeschylus, Sophocles, and Euripides (Modern Library Classics – Paperback, ISBN 978-0812983098) before arriving on Agistri.
• Payment: we understand that you may not want to pay the entire charge at once, so we ask for an initial (non-returnable) deposit of £20 on registration followed by £180 within 28 days and the balance of £500 by 31 January 2025.
• Refunds: please note that any refunds will be entirely at the discretion of the London Literary Salon, dependent on our ability to fill the place, and will be subject to a charge to cover our administration costs.

BOOKING

To ask questions please email us at litsalon@gmail.com using ‘Agistri 2025 – Trojan Women’ as the subject line. Payment will be by bank transfer (N.B. we will supply bank details). If the study sells out early we will maintain a waiting list as we do sometimes find that people have to withdraw for reasons beyond their control.

ADDITIONAL COSTS

Room and half board (breakfast and dinner each day) will be arranged by each participant with the hotel and paid for directly to them. A deposit to cover two nights accommodation will be required by the hotel. We will send you full contact details for payment on registration. We have set out the anticipated charges below, but these may be subject to change at the time of booking at the discretion of the hotel.

Accommodation prices per night at the hotel – Rosy’s Little Village – estimated on the basis of figures available in October 2024:

• Single – €77 per night plus half board (breakfast and dinner) estimated at €50 per day
• Double – €87 per night plus half board (breakfast and dinner) estimated at €55 per person per day
• Triple – €77 per night plus half board (breakfast and dinner) estimated at €55 per person per day
• Family room for two people – €97 per night plus half board (breakfast and dinner) estimated at €55 per person per day
• Family room for three people – €107 per night plus half board (breakfast and dinner) estimated at €55 per person per day
• Family room for four people – €120 per night plus half board (breakfast and dinner) estimated at €55 per person per day

Please consider sharing accommodation with another participant as this helps us to ensure everyone can stay on site; double and triple rooms offer split levels and so allow a significant degree of privacy to sharers.

Flights to Athens: when booking please make sure you can arrive in Piraeus by 15.00 local time on the first day of your study to catch the ferry. We will not be meeting formally on the final day of each study, so you will have choices about your return (ferries are frequent and the travel time to Piraeus is one hour).

Ferry to Agistri: normally around €14 each way, but may be €30 for arrival if the group chooses to use a private water taxi.

Incidental expenses: drinks, lunches, extra trips etc.

Insurance: we hope this will be entirely redundant, but we do ask you to arrange your own travel and health insurance to protect you in case of anything untoward happening. We will ask you for details of the insurance provider and reference number, as well as your mobile phone number and details of next of kin to add to our (confidential) records for use during the study.