The Best of The Tragicall Historie of Hamlet, Prince of Denmarke

We are offering this Salon at a time that makes it particularly accessible to participants in the US and Canada (and rather late in the day for those in the UK and Europe). In this study we will read carefully curated selections from the play’s text.

Awash in murder, madness and revenge, Hamlet has spoken to the ‘beast’ in humankind for over four centuries. Written around the turn of the 17^th century, Hamlet – in its fullest version – runs for over four hours. Even then, good productions of the sensational play can hold audiences in thrall. But, despite its preoccupation with violence and vengeance, Hamlet is also deeply philosophical, and bloodlust often takes a back seat to considerations of ethics and the moral course of action. It is the tension between these two aspects of humankind – part base, part noble – that has made this protagonist and the host of characters who come into his sphere so magnetic. 

In this six-session series participants will engage in reading and discussing key scenes in Hamlet, including all seven of his soliloquies. As we undertake a close analysis of the play, we will examine the elements that make it a great revenge tragedy, but we will also consider ways in which Shakespeare makes it about so much more than revenge alone.

JOINING DETAILS:

• Six session study on Zoom led by Julie Sutherland
• Wednesday, 23 October-27 November, 6.00-8.00 pm Eastern time (3.00-5.00 pm Pacific time; 11.00 pm-1.00 am GMT)
• £180 for six two-hour meetings, to include opening notes and resources
• Recommended text: we strongly encourage participants to acquire the Arden Shakespeare Hamlet, revised edition, editors Ann Thompson & Neil Taylor: https://www.bloomsbury.com/ca/hamlet-9781472518385/. Variations between texts can be significant, having the same version will facilitate reading and discussion. N.B. Contrary to what Amazon says in its description, this edition presents an authoritative, modernised text based on the Second Quarto text (1604/5), which was printed from a manuscript believed to be Shakespeare’s ‘foul papers’ (his rough drafts).